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Pro Special Effects Makeup Artists Talk Monstrous Transformations

Before 1981 there was no special effects makeup category in the Academy Awards. One movie changed that: An American Werewolf in London. The film’s first transformation scene was shocking in its realness. It took a frightening folklore tale and dragged it, growling and biting, into the real world. Rick Baker, the special effects designer and creator of the film, is now a legend in the special effects makeup industry.                  Continued in Crixeo 

 

On Death

I’m wearing my dead brother’s shirt. I can’t remember ever seeing him wear it, but it was his, and now it’s mine. If you asked me what I get out of wearing this shirt, I’m not sure I could answer you. It’s just a shirt. It doesn’t hold anything that’s left of him: all that’s left of him are my memories, my family’s memories. Maybe that’s what ghosts are made of: memories and empty clothes and an over-active imagination. The funny thing about death is–and I mean funny-strange, not funny-ha-ha–the funny thing is that everyone always thinks about loss when they think about death. I used to think the same way too. Death means the loss of someone you love, and it’s something horrible, irrevocable and final, but there’s more. You never hear people talk about the things left behind, and I’m not talking about ghosts, unless that’s what you call t-shirts and memories and regret. Some things just stick around, long after the loss, and they haunt you.

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Wizard of Oz

The Magical Wizard of Oz

When I was little, my favorite book was The Wizard of Oz by L. Frank Baum. We had this ratty orange paperback version — nothing special, I’m not even sure if it had the illustrations in it. I must have read that book 5 or 6 times myself during my childhood, and my sisters had all read it too. Its popularity in our household was clearly evident: my sister Jenny and I had drawn pictures on the blank pages at the beginning and end of the book, and the spine had been reinforced several times with masking tape.

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