Laughter is an important part of being human. We use humor to navigate unfamiliar territory and to make bad news more palatable. We use it as an outlet for stress and to make others and ourselves feel better. And of course, we use it just for fun. Is it any wonder that humor also plays a key role in burlesque?
“Burlesque’s far-back history is that of comedy,” said Paige Rustles, a burlesque performer from the Pacific Northwest, in an interview with Crixeo. “I think that using comedy in current-day burlesque is so important because it allows us to tackle big and important topics in a highly accessible way.”
Early burlesque was more about lampooning or satirizing social and political figures. The acts also involved scantily-dressed ladies to add to the appeal of the show. The striptease, as we know it, came much later. Actors would perform skits featuring thinly-disguised caricatures of famous people. Even existing and well-respected literature and music weren’t safe. The Weird Als of the 17th century made fun of it all — and showed their ankles while doing it.
Continue reading BURLESQUE STRIPPED DOWN TO ITS COMEDIC ROOTS
Cyrus Bronock’s day starts just like anyone’s might: He rises early, brews some coffee, gets dressed, gives his still-sleeping husband a quick kiss on the forehead — Kamden is a college professor — and then it’s off to work. But here’s where his day diverges from the average nine-to-fiver’s. Bronock, known to his fans as Cyguy83, is a repaint artist who specializes in lifelike dolls. Specifically, he takes prefab 11.5-inch fashion and character dolls, strips off their assembly-line paint, then lovingly re-creates them into astonishingly accurate one-of-a-kind representations of celebrity actors and musicians in some of their most iconic incarnations.
Continued at Crixeo
Before 1981 there was no special effects makeup category in the Academy Awards. One movie changed that: An American Werewolf in London. The film’s first transformation scene was shocking in its realness. It took a frightening folklore tale and dragged it, growling and biting, into the real world. Rick Baker, the special effects designer and creator of the film, is now a legend in the special effects makeup industry. Continued in Crixeo
My clients don’t talk, though we communicate just fine. I read body language, posture and blinking eyes. I interpret moods, stretches and the consumption and digestion of food. It’s all in a day’s work, cat-sitting in New York City. Continued in Crixeo